If a film was made about your life, what would be on the soundtrack?
Most of the post titles on this blog come from songs. I started my first entry using a song title and it just seemed to keep happening from there – there was no other reason for it. But once I got into the habit I found it both helpful and enjoyable.
I didn’t always choose songs that I like. It was more about finding titles that seemed to fit what I was writing about. But I only rarely cheated by Googling for songs. Often, I could just pluck relevant songs out of the air.
Whether that’s simply because I like music and remember song titles, I’m not sure. It’s perhaps just as likely that so many songs have either become phrases that are common in the language or were lifted from phrases that were already in everyday use.
Either way, I like the idea that the music listed in the table below could be thought of as the soundtrack to my first 6 months as a stay-at-home dad. [Although it's slightly worrying that so much of it seems to come from the 1980s!|
[Text in italics indicates either that I actually had to hunt down a relevant song title or that I got it wrong in some major or minor detail when using it as a title.]
| Track | Artist, label | Year |
|---|---|---|
| Papa’s got a brand new bag | James Brown, King | 1965 |
| Don’t worry. Be happy | Bobby McFerrin | 1988 |
| You must remember this | Title should be ‘As time goes by’. Herman Hupfield (wr) for the musical Everybody’s Welcome | 1931 |
| Relax, don’t do it | Frankie Goes to Hollywood, ZTT | 1983 |
| No limit | 2 unlimited, PWL | 1993 |
| Lessons in love | Level 42, Polydor | 1986 |
| Who are you? | The Who, Polydor | 1978 |
| The joker | Steve Miller, Capitol Records | 1973 |
| Sweet child in time | (actually Child in Time) Deep Purple, Harvest Records | 1970 |
| The look of love | Bacharach/David (wrs) | 1967 |
| I’ve got you under my skin | Porter (wr), Capitol Records | 1956 |
| Losing my religion | REM, Warner Bros | 1991 |
| Help | Beatles, Parlophone | 1965 |
| Last Christmas | Wham, Columbia | 1984 |
| Word up | Cameo, Atlantic Artists Records | 1986 |
| We are family | Sister Sledge, Cotillion Records | 1979 |
| Book of love | The Monotones, Mascot | 1958 |
| Crazy for you | Madonna, Geffen Records | 1985 |
| So macho | Sinitta, Fanfare | 1986 |
| You’ve got a friend | James Taylor, Warner Bros | 1971 |
| Memories are made of this | Everley Bros, ??? | 1960 |
| Shout | The Isley Bros, RCA Victor | 1959 |
| For tomorrow | Blur, EMI/Food Records | 1993 |
| Reasons to be cheerful | Ian Dury and the Blockheads, Stiff Records | 1979 |
| Freebird | Lynyrd Skynyrd, MCA | 1974 |
| My favourite things | John Coltrane, Atlantic | 1961 |
| Blue moon | Cowboy Junkies, Latent Records/RCA Records | 1988 |
| Mirror man | Human League, Virgin Records/A&M Records | 1982 |
| Crossroads blues | Robert Johnson, | 1936/37 |
| Stormy weather | Arlen, Koehler (wrs) | 1933 |
| Alone again or | Love, Elektra | 1968 |
| It’s my life | Talk Talk, EMI | 1984 |
| From me to you | Beatles, Parlophone | 1963 |
| 9 to 5 | Sheena Easton, EMI | 1980 |
| What’s going on? | Marvin Gaye, Tamla | 1971 |
| Jealous guy | John Lennon, Parlaphone | 1971 |
| Message in a bottle | The Police, A&M | 1979 |
| Old friends | Simon & Garfunkel, Columbia | ?1968 |
| Wind of change | Scorpions, Mercury Records | 1990 |
| The times they are a’changing | Bob Dylan, Columbia | 1964 |
| Bridge over troubled waters | Simon & Garfunkel, Columbia | 1970 |
| You can get it if you really want | Desmond Dekker, Trojan | 1970 |
| Untitled | Smashing Pumpkins, Virgin | 2000 |
| Saving all my love for you | Whitney Houston, Arista | 1985 |
| Sunshine of your love | Cream, Reaction | 1968 |
Oooh that question is far too difficult. There would be so many. And like you, they are not always songs that I like (in fact quite often they are not songs I like). And I can’t just think of them – well I can think of a few – they just appear and whisk me back in time. Shame there aren’t any that can whisk me forward so I can see what is coming!
I’ve got this theory that we’re most responsive to music when we’re younger, when our brains are still developing faster than they’re degenerating. Perhaps that’s why some songs can be so evocative?
To anyone reading this I recommend you follow this link to see some proper writing about music and life: http://thefugitiveblogger.blogspot.com/2008/05/soundtrack-to-life.html
Aww you are too kind!!
You could be right about the age thing. I have fewer tracks that evoke strong memories as I get older. I think we feel, hear and see everything more when we are younger.